Friday, September 28, 2007
Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.
We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”
Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”
Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.
DS: Do you have any favorite books?
- NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.
DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!
- NK: I haven’t seen it yet!
DS: Do you notice a difference between playing in front of British and American audiences?
- NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.
DS: How many instruments do you play and, please, include the glockenspiel in that number.
- NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—
DS: –I have a great photo of you playing the bass.
- NK: I don’t think I’m very good…
DS: You look cool with it!
- NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.
DS: Do you design your own clothes?
- NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—
DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.
- NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.
DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?
- NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—
DS: —as are you—
- NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.
DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.
- NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.
DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?
- NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.
DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?
- NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.
DS: Is it always pine trees that you see?
- NK: Yes, pine trees and sky, I guess.
DS: What things in nature inspire you?
- NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.
DS: Are there man-made things that inspire you?
- NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…
DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.
- NK: Oh. My. God.
DS: If you go on her Wikipedia article it’s there.
- NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.
DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.
- NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.
DS: How are you received in the Pakistani community?
- NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.
DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?
- NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.
DS: Is it difficult to come to the United States to play considering all the wars we start?
- NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.
Wednesday, October 22, 2008
Dr. Jerald Block is a psychiatrist based in Portland, Oregon, United States. Dr. Block has attracted some media attention due to one theory of his – the idea that Internet addiction can be viewed as a distinct mental condition.
In an interview with Wikinews, Dr. Block discusses this theory, including what needs to be done about it, and the alleged violent response that can arise from an addict’s withdrawal. Below is the full exclusive interview.
Almost everyone has exercise and wellness goals, but achieving them isn’t as easy as making them. Finding a community of people that you can belong to, while working out, can make a tremendous difference in reaching your goals. One way that you can be a part of a fitness community and reach your goals is through yoga classes in Wayne NJ.
Multiple studies, including those from the Journal of Sport and Exercise Psychology and the Society of Behavioral Medicine, have shown that working out in a group pushes people to work harder than when they are only working out on their own.
While you should always listen to your body, a group setting is also an opportunity to challenge yourself. By joining a group, you can feel that urge to try new poses that you may not do on your own, or stretch yourself a little bit more in each exercise when you see others doing the same. Friendly competition is a great way to stay motivated and keep trying new things.
Compared to doing yoga at home or in front of a TV, a group class lets you feel a sense of connection and community with those around you. You can make new friends, spend time with old friends, and feel a connection as you all work out and learn from your yoga teacher.
Traditionally, yoga was never meant to be strictly a solo exercise. When it’s done in groups, the energy only gets stronger.
Finding a home
Group exercise has many benefits, some that you’d expect and some that you wouldn’t. If you are looking for a community where you can belong and take yoga classes in Wayne NJ, then you are welcome to stop by Advanced Fitness & Wellness or visit https://www.advancedfitnessandwellness.com/ for more information. Follow us on Google+.
Thursday, November 8, 2007
What you are about to read is an American life as lived by renowned author Edmund White. His life has been a crossroads, the fulcrum of high-brow Classicism and low-brow Brett Easton Ellisism. It is not for the faint. He has been the toast of the literary elite in New York, London and Paris, befriending artistic luminaries such as Salman Rushdie and Sir Ian McKellen while writing about a family where he was jealous his sister was having sex with his father as he fought off his mother’s amorous pursuit.
The fact is, Edmund White exists. His life exists. To the casual reader, they may find it disquieting that someone like his father existed in 1950’s America and that White’s work is the progeny of his intimate effort to understand his own experience.
Wikinews reporter David Shankbone understood that an interview with Edmund White, who is professor of creative writing at Princeton University, who wrote the seminal biography of Jean Genet, and who no longer can keep track of how many sex partners he has encountered, meant nothing would be off limits. Nothing was. Late in the interview they were joined by his partner Michael Caroll, who discussed White’s enduring feud with influential writer and activist Larry Kramer.
- 1 On literature
- 2 On work as a gay writer
- 3 On sex
- 4 On incest in his family
- 5 On American politics
- 6 On his intimate relationships
- 7 On Edmund White
- 8 On Larry Kramer
- 9 Source
Wednesday, January 18, 2012
Meteorites that fell to Earth during a meteor shower in July of 2011 have been confirmed to be from Mars. The rocks, discovered in Morocco, were likely ejected off the surface of the planet during an ancient asteroid impact.
This is believed to be the fifth time in history that people have observed what turned out to be chemically confirmed martian material falling to Earth. Out of the approximately 24,000 known meteorites to have fallen to Earth, only about 34 have been verified to be martian in origin. Fifteen of these rocks are attributed to the meteorite shower last July. Some of the rocks, which are very rare on Earth, are being sold from US$11,000 to $22,500 per ounce, which is about ten times more than the cost of gold.
Meteorites confirmed to be from Mars fell to Earth in 1815, 1865, 1911 and 1962. The sooner the rocks are recovered after landing on Earth, the less they are contaminated by its natural processes. This allows scientists to examine specimens and gain insight about the geology of Mars. “Because it’s so fresh, if you find organics in this sample, you can be pretty sure those organics are Martian,” Carl Agee, director of the Institute of Meteoritics at the University of New Mexico, told Space.com.
Scientists postulate that a large object’s impact into Mars millions of years ago was the cause of the material’s ejection from the surface of the planet.
Monday, November 26, 2007
In the 18 months since Andrea Muizelaar was crowned winner of the reality TV series Canada’s Next Top Model, her life has been a complete whirlwind. From working in a dollar store in her hometown of Whitby, Ontario, to modeling haute couture in Toronto, she had reached her dream of becoming a true Top Model.
But at what cost? Unknown to casual television viewers, Muizelaar had been enveloped in the eating disorder anorexia nervosa, which inevitably became too much for her to bear. She gave up modeling and moved back to Whitby, where she sought treatment for her disorder, re-entered college, and now works at a bank. Where is she now? Happy and healthy, she says.
Recently Andrea Muizelaar sat down with Wikinews reporter Mike Halterman in a candid interview that stretched to nearly two hours, as she told all about her hopes and aspirations, her battle with anorexia, and just what really happened on Canada’s Next Top Model.
- 1 Andrea’s beginnings
- 2 Andrea on her road to modeling, and America’s Next Top Model
- 3 Experience on Canada’s Next Top Model
- 4 The message she wrote to her fans on her facebook group
- 5 Her brief modeling career
- 6 “Happy and healthy”
- 7 Source
Saturday, May 26, 2018
On Wednesday, South African cricketer AB de Villiers announced his retirement from international cricket. The 34-year-old batsman uploaded a video message on Twitter saying it was a “tough decision” and he was “tired”.
De Villiers joined the national team, the Proteas, in 2004, featuring in a test match against England. Since then, the South African talisman has featured in 114 test matches for the Proteas, scoring 8765 runs. He has 22 test centuries to his name, the most recent one coming against Australia in March. South Africa went on to win the test series 3–0.
De Villiers’ batting average is above 50 in both test matches and One Day International (ODI) matches. De Villiers has featured in 228 ODI and 78 Twenty20 (T20) matches as well scoring 9577 and 1672 runs in ODIs and T20s respectively.
In a match against the West Indies at the Wanderers Stadium in Johannesburg on January 18, 2015, De Villiers scored 149 runs from 44 balls. In that match, De Villiers scored the fastest half-century in ODIs, reaching 50 runs from seventeen balls, as well as the fastest century in ODIs, with 100 runs from 31 balls.
Chris Nenzani, the President of Cricket South Africa, said, “AB is one of the all-time greats of South African cricket who has thrilled spectators around the world”.
De Villiers announced his retirement four days after he finished his Indian Premier League season with Royal Challengers Bangalore. In the video statement, De Villiers said, “I have no plans to play overseas, in fact, I hope I can continue to be available for the Titans in domestic cricket.”
Sunday, July 8, 2007
Over 50 schools in New South Wales already have surveillance cameras in playgrounds and outside dining areas. The concern from teachers arises from the pending installation of further cameras inside classrooms and also corridors.
Teachers have expressed concerns about privacy and misuse of the equipment. Senior vice-president of the New South Wales Teachers Federation, Bob Lipscombe, said that teachers are worried about the footage being used improperly, as well as the fact that both teachers and students would be filmed at work by the cameras.
The increase in security cameras being used in schools is an attempt to protect valuable schooling equipment from theft and damage, in particular computers in computer rooms. Lipscombe said that installations in computer rooms will potentially affect many teachers, as all subjects can be taught with the integration of technology.
CCTV surveillance is preferred by some schools over fitting alarm systems and physical bars on entrances to the room, as it is cheaper to install.
|“[Teachers] are concerned about its improper use and that it may be taken out of context”|
Lipscombe said that the Teachers Federation isn’t against CCTV systems provided they are operated properly and with appropriate consent. A solution proposed is to only have the surveillance system record during times when the room is unattended.
A spokesperson for the New South Wales Department of Education and Training has said that the footage obtained is confidential and used to assist police in investigating criminal activity.
Friday, February 10, 2006
The Council of Australian Governments (COAG) will meet in Canberra today for its first meeting of 2006. Members of COAG are the Prime Minister, State Premiers, Australian Capital and Northern Territory Chief Ministers, and the President of the Australian Local Government Association. COAG is chaired by the Prime Minister.
On the agenda is a wide range of issues such as health, economic reform, regulation, and education.
The state leaders (all of whom are members of the Australian Labor Party), met last night to develop a strategy for dealing with John Howard, Australia’s Prime Minister.